Category: 10 March 1998

Rodriguez and Big Sky live at The Blues Room, 17 & 18 June 1998

15 years ago, today, Rodriguez performed at The Blues Room in Johannesburg to launch the Live Fact album. This album was recorded on the 10th March 1998 on the Cold Facts tour of South Africa which features strongly in the Searching For Sugar Man film.

Musicians

Sixto Rodriguez: Vocals, acoustic guitar
Willem Möller: Electric Guitar
Reuben Samuels: Drums, percussion
Graeme Currie: Electric bass, acoustic bass
Tonia Selley: Background vocals, percussion
Russel Taylor: Keyboards
Robin Walsh: Acoustic guitar

Willem Möller and Rodriguez | photo: Nadine Hutton

Willem Möller and Rodriguez | photo: Nadine Hutton

The Set list

  1. I Wonder
    from Cold Fact
  2. Only Good For Conversation
    from Cold Fact
  3. Can’t Get Away only on 17th
    from The Best Of Rodriguez / At His Best
  4. Crucify Your Mind
    from Cold Fact
  5. Jane S. Piddy only on 17th
    from Cold Fact
  6. To Whom It May Concern
    from Coming From Reality / After The Fact
  7. Like Janis
    from Cold Fact
  8. Inner City Blues
    from Cold Fact
  9. Street Boy
    from The Best Of Rodriguez / At His Best
  10. Halfway Up The Stairs
    from Coming From Reality / After The Fact
  11. I Think Of You
    from Coming From Reality / After The Fact
  12. Rich Folks Hoax
    from Cold Fact
  13. Climb Up On My Music
    from Coming From Reality / After The Fact
  14. Sugar Man
    from Cold Fact
  15. Forget It
    from Cold Fact
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Beat Speak, 14th March 1998

Hi Wonder!

by Sugar

It’s hard to type when one’s feet refuse to stay on the ground. I still keep floating around from the euphoria of seeing two awe-inspiring concerts on the weekend, both by the same ou. I’m talking of course about Rodriguez who finally performed to his many South African fans and it’s difficult to decide who was more overawed by the confrontation.

Rodriguez had not performed since 1981 and even those concerts, in Australasia, did not nearly attract the same fans as the SA concerts, so, when Rodriguez walked out onto the stage at the Bellville Velodrome, he almost staggered backwards from the roar and vibes that poured onto the stage from the first night crowd. The performance that Friday night was fine if a little patchy but no-one seemed to notice. Rodriguez forgot the odd line and on a few occasions played at a different tempo to the band, who very professionally managed to plaster over these musical cracks.

Rodriguez, Sugar and his family and Eva

Rodriguez, Sugar and his family and Eva

The second concert on Saturday night, however, was wonderful. A far larger crowd arrived due obviously to a strong local word-of-mouth promotion. Rodriguez and his band were prepared and well-rehearsed and once again the crowd maintained a remarkable level of energetic approval and non-stop singing to each and every song. All the age groups were represented, from 60-year-olds to young children, all caught up in the magic of the moment, signifying indisputably that Rodriguez’s music has passed the test of time and is not simply a ’70s phenomenon.

The response to these concerts was repeated throughout the tour. The two concerts in Johannesburg at the Standard Bank Arena were sold out and generated the same fanatical and ecstatic reaction. One of the Durban dates was replaced by a show at the Carousel complex outside Pretoria and that too was full. There is a strong feeling that this remarkable tour could be the spark that hopefully kick-starts Rodriguez’s long overdue world-wide recognition. Through the Internet, his fans all over the world have been closely monitoring these events in South Africa and requests for tours have been received from as far afield as Australia, Canada, England and the USA. Some United States newspapers have already started making enquiries, sensing a story in all of this!

Rodriguez is a humble, intelligent and sensitive man who deserves all the recognition he will no doubt be receiving. After both the Cape Town shows, he mingled with the assorted press and fans who had lingered backstage to meet him and shook hands, hugged, spoke to and signed autographs for each and every one of them until he was satisfied that no-one had been overlooked. As they say in Yiddish, he is really a mensch!

I am still quite overwhelmed by the whole Rodriguez situation. We all believed he was dead but he most certainly wasn’t and here he was recreating his music that meant so much to so many people for so long. I will always remember singing along to all those songs that are so deeply embedded in my/our memories, but three special memories stand out for me. The first was seeing Rodriguez’s two daughters, Eva and Regan, sitting at the foot of the stage watching their father perform. Eva was a teenager when Rodriguez toured Australia and Regan was much younger. The pride and joy that radiated in their faces was quite beautiful.

The second was the guitar solo by Willem Möller that turned the band’s jammed improvised version of ‘Climb Up On My Music’ into the high(est)light of a concert packed with highlights. The third image I have is of Arno Carstens, lead singer with the Springbok Nude Girls, standing transfixed at the base of the stage watching Rodriguez perform. On his T-shirt was the simple yet ironic slogan that seemed to sum up the whole evening. It read: “Dead people are cool!”

10th March Standard Bank Arena Johanneburg

The Set List

  1. I Wonder
  2. Only Good For Conversation
  3. Can’t Get Away
  4. Crucify Your Mind
  5. Jane S. Piddy
  6. To Whom It May Concern
  7. Like Janis
  8. Inner City Blues
  9. Street Boy
  10. A Most Disgusting Song
  11. Halfway Up The Stairs
  12. I Think Of You
  13. Rich Folks Hoax
  14. Climb Up On My Music
    Encores:
  15. Sugar Man
  16. Establishment Blues
  17. Forget It
Ellis Park Sold Out

Ellis Park Sold Out

Long Live Rodriguez

Review by André Bakkes

At last Rodriguez arrived and I was going to see a show by the Man.  It was with a bit of uncertainty that I went to the show. I wanted to go, but I also didn’t want to go. The thing that struck me was how mellow the people were, there was no pushing at the doors to get in, there was a nice steady flow into the arena. People from all walks of life were there. In the audience I saw serious new wave ravers (the one’s who cut their hair except for a little lock on the front of the hairline), also there were old guys with bald heads. I could not believe that Rodriguez had such a wide spectrum of followers.

When he came on the crowd went wild. The same type of reaction as at recent, very well known bands concerts. As the songs were sung the people sang with him and they vibed to the sounds and the music.  The jazzing up of “Climb up on my Music” was brilliant and could do well as a mix for the dance floor. It seems that Rodriguez is such a NICE person he would rather give limelight to his support band than hog it himself. He came across as an absolute gentleman and unaffected by the hype. My overwhelming feeling as I left the concert was one of peace and fulfillment,  here was a person whose music stood the test of time and was honestly grateful that we paid money to see him perform.

Long live Rodriguez!! I hope you do very well.